By Carlos “Carlito” Rovira
For the most part, no one ever expected such a barrage of condemnation against the super-star African American singing artist Beyonce for her performance during halftime at the 2016 Superbowl. It is an institutionalized extravagant sport event viewed by tens of millions of people throughout the United States.
The controversy began immediately after a dance troupe of about 50 women, with Beyonce at the helm, took center stage in a beautifully choreographed arrangement and dress attire that made references to the legendary Black Panther Party and Malcolm X. To many people nothing could have been a better tribute to the annual tradition of Black History Month (February) than to depict figures so symbolic in U.S. history.
But in order to understand why this performance became such a controversy we must first explore the causes that triggered it. Anyone who closely examines the norms of this violent “sport” will easily see how it tends to present itself as a feverish gladiator ritual. The definition of “sport” has been changed to mean inflicting bodily harm among high priced members of opposing teams and in some cases with permanent damage.
With military music bands playing and jet fighters flying high above the airspace of stadiums, the Superbowl has become an event that insidiously promotes a peculiar version of militarism. It accentuates sexism, white supremacy and big nation chauvinist arrogance – all of the not-so-hidden ideas that prevail in the general thinking of capitalist culture.
With this kind of historically rooted setting, it came as no surprise when arch racists and notorious figures like New York State Representative Peter King and former New York City Mayor Rudolph Giuliani launched a barrage of attacks against the prominent Black female performer.
They were appalled that Beyonce would dare pay homage to heroic African American revolutionaries, even in the most minimized implicit manner. The vindictive outcry by these and other white supremacists has little to do with Beyonce or what they perceived as “offensive” during the halftime performance.
Malcolm X, the Black Panther Party and the mass upsurge that occurred during the 1960’s – 70’s, the height of the Civil Rights movement, continues to haunt the imagination of our oppressors to this day. Their apprehensions are attributed to the militant traditions of the African American masses which brought about the rise of Malcolm X and the Black Panther Party.
The lessons that came as a result of those experiences are indisputably applicable in our reality today – and that is precisely what these villains fear. Blacks, Latinos, Indigenous and other people of color continue to be brutalized and murdered by the police across the United States.
Unlike the lies asserted by Guilliani and King it was the police who attacked, imprisoned and murdered Black Panthers in a criminal campaign organized by the Federal Bureau of Investigation (FBI) known as Operation COINTELPRO. However, both Malcolm X and the BPP boldly advocated and practiced the right to use armed self-defense against the racist terror of the police in the Black community.
What the representatives of the ruling class are most upset about at Beyonce is that her Superbowl halftime performance reminded everyone of a period in U.S. history when Black people defiantly posed a threat to this racist system by galvanizing many sectors of the general population. This phenomenon presented the potential for revolution in this country under the impact of the Black liberation struggle.
The role Black people played in the events of that period in history is something the ruling class cannot forget or forgive. They will naturally dread the mere thought of a revolutionary upheaval until the day of their final doom.
This is why former Black Panther and political prisoner Mumia Abu-Jamal has stated: “The tyrants, oppressors and racists who continue to hold political power in this country by using the most ruthless means cannot afford a repeat of the 1960’s.”
The plight of Black people, from the 300 years of slavery, Jim Crow discrimination and the mass incarceration and police brutality today, are facts that our oppressors and those who benefit from white privilege and entitlement would like us to ignore and forget.
Regardless of what Beyonce’s motives may have been she touched upon a vulnerability of white supremacist America and because of that she merits our applause and praise. If her halftime performance were a projection of jingoism, militarism or a glorification of white supremacy she would not have received the flack that she is now a target of.
LONG LIVE THE LEGACY OF THE BLACK PANTHER PARTY!